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Fandom is the New Demographic

From K-pop to gaming, fandoms are reshaping consumer behaviour-but can brands turn cultural passion into lasting loyalty?

BY Isha Khatu
Published: Jul 13, 2026 11:21 AM 
Fandom is the New Demographic

For decades, marketers have segmented consumers by age, income and geography. But in today’s digital world, passions often matter more than profiles. The recent Oreo X BTS collaboration is a case in point. Rather than targeting a demographic, Oreo tapped into one of the world’s most passionate fan communities. The same dynamic is visible in Hot Wheels’ Formula 1 partnership and boAt’s deep ties to gaming and music culture.

Across categories, brands are discovering that fandoms aren’t just audiences—they are communities. And increasingly, those communities are shaping what people buy.

As fandoms become powerful communities of influence, the question facing brands is no longer whether fandom matters. It is whether they truly understand how to participate in it.

Beyond age and PIN codes
Nitin Saini, Vice President – Marketing at Mondelez India, shares, “Consumers today are increasingly coming together through shared passions and interests, making fandoms a powerful way for brands to build meaningful connections. These communities shape culture, spark conversations, and influence purchase decisions in ways that often go beyond traditional demographic segments.”

This shift in consumer behaviour was central to Oreo’s collaboration with BTS. “By bringing together two globally loved brands, we intended to engage consumers through a shared cultural passion that feels authentic and relevant,” Saini adds.

Masuma Siddique, Founder and CEO of InkCraft Communications, believes this distinction is becoming increasingly important. “For years, brands have relied on demographics to understand consumers, but demographics tell you who someone is, not what they care about. Fandoms reveal passion, identity, behaviour and community, which are often far stronger indicators of purchase intent and brand affinity.”

Ashita Aggarwal, Professor of Marketing at SPJIMR, argues that fandoms are essentially a form of psychographic segmentation. She adds, “A 45-year-old professional and a 19-year-old student, both members of a devoted fan community, will exhibit remarkably similar purchase behaviours, advocacy patterns and emotional responses to a brand because they share a cultural identity rather than a demographic profile.”

Jag Chima, Co-founder of IPLIX Media, points to Formula 1 as a useful example. “A Formula 1 fan in Mumbai often has more in common with a Formula 1 fan in London than someone of the same age living next door. The shift isn’t demographics versus fandoms. It’s that fandoms add a layer of cultural understanding that demographics alone can’t provide.”
As Rajni Daswani, Chief Growth Officer – People & Business at SoCheers, puts it, “Fandoms are never demographic. Demographics tell you who someone is and fandoms tell you what they bleed for.”

Why fandoms sell

The commercial value of fandom lies in emotional investment. Unlike audiences that simply consume content, fandoms actively participate in it. They discuss, share, defend, create and advocate. They don’t just buy products. They buy symbols of belonging.

This explains why fandom collaborations frequently generate demand that traditional campaigns struggle to replicate. At Good Flippin’ Burgers, the Korean Krossover collaboration inspired by Netflix’s Squid Game was designed around an existing cultural obsession rather than a demographic target.

“For Good Flippin’ Burgers, fandoms are a far more meaningful way to understand consumers than traditional demographics. Age, income, or geography don’t explain why someone lines up for a limited-edition Korean burger drop; shared cultural obsession does,” says Viren Dsilva, Co-Founder of Good Flippin’ Burgers.

According to Dsilva, success came not from borrowing Korean aesthetics but from creating something that fans could genuinely belong to. “When fans feel that level of intention, they move from curiosity to connection. That’s when a campaign stops being a limited-time drop and becomes a memory they associate with the brand.”

The celebrity endorsement trap
One reason many brands struggle with fandom marketing is that they mistake it for celebrity marketing.

The two may look similar on the surface, but they operate very differently. “Celebrity marketing borrows attention; fandom marketing earns participation,” says Gayatri Sethi Jain, Founder of CtrlA India. “The difference lies in whether a brand is simply leveraging a famous face or genuinely contributing value to a community that already shares rituals, language, inside jokes and emotional investment.”

Adrine D’Mello, Associate Vice President at White Rivers Media, sees the distinction clearly. “Celebrity marketing drives awareness, while fandom builds belonging and advocacy.”



Sumit Gupta, Founder & CEO of Viral Pitch, further adds, “Celebrity endorsements are often personality-centric, whereas fandom marketing is community-centric. A true fandom strategy focuses on understanding the culture, language, values, and behaviours of a community and creating experiences around them. The celebrity may be a part of the equation, but the community remains at the centre of the strategy.”

The difference is significant. A celebrity can generate awareness. A fandom can create belonging. And belonging is often what drives advocacy, repeat purchase and long-term loyalty.

Why most brands get it wrong
If fandoms are so powerful, why aren’t more brands succeeding with them? The answer, experts say, is authenticity. Many brands approach fandoms as media opportunities rather than communities. They see an audience and attempt to monetise it without understanding its culture. “The biggest mistake is treating fandom as a campaign instead of a culture,” says Jain.

Siddique agrees, warning that fan communities are highly sensitive to insincerity. “One of the biggest mistakes is treating fan communities as trends to be leveraged instead of cultures to be understood. Fans are incredibly sensitive to authenticity. If a collaboration feels forced, opportunistic or disconnected from the values of the community, the backlash can be immediate.”

Chima believes brands often misunderstand their role. “The biggest mistake brands make is treating fandoms as a marketing channel instead of a community. Fans can spot opportunistic marketing almost immediately.” Simply partnering with a celebrity, sponsoring an event or using fandom imagery is no longer enough. Participation must feel earned.

Building a fandom strategy
The brands succeeding in this space are shifting from broadcasting messages to becoming part of conversations. Increasingly, marketers are recognising that credibility within a community often matters more than sheer celebrity reach.

As Ravi Punjabi, Founder of Kraus Jeans, points out, “Consumers today often connect more deeply with influencers and micro-influencers who share similar ages, cultural backgrounds, lifestyles and experiences than with bigger celebrities.”

That shift is changing how brands think about partnerships and content. Rather than relying on famous faces to drive awareness, many are looking for ways to participate in communities through storytelling, creators and collaborations that feel relevant to the audience’s interests.

“Such collaborations work best when they feel natural to the story and add value to the consumer experience rather than functioning as a traditional brand endorsement,” Punjabi adds.

This reflects a broader change in marketing. Instead of asking how many people a campaign can reach, brands are increasingly asking how deeply they can engage with a community. That requires patience, consistency and cultural understanding rather than one-off campaigns designed purely for visibility.

D’Mello believes that requires a shift from one-off campaigns to long-term community-building. “Brands should move from demographic targeting to interest-led, community-based strategies, and from one-off campaigns to year-round community development.”

Saini adds, “While fandom-led collaborations can create strong cultural momentum, lasting brand affinity is built through consistent creation of meaningful experiences that resonate with communities and strengthen emotional connections over time.”

The future belongs to communities
Demographics still matter. But in a fragmented digital world, passions are becoming just as important. Music, gaming, anime, sports, creators and entertainment increasingly shape how people see themselves—and what they choose to buy.

The lesson from Oreo X BTS, Hot Wheels X F1 and other fandom-driven successes is simple: the brands winning attention today are not just targeting consumers, they are joining communities. Because people don’t just buy products that fit who they are. They buy products that reflect what they love.

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  • TAGS :
  • Netflix
  • SOCHEERS
  • consumer behaviour
  • Oreo
  • pop culture
  • Mondelez India
  • BTS
  • K-pop
  • Squid Game
  • White Rivers Media
  • Formula 1
  • boAt
  • KITKAT
  • Rajni Daswani
  • Impact Talking Point
  • One Piece
  • Nitin Saini
  • Kraus Jeans
  • IPLIX Media
  • InkCraft Communications
  • Masuma Siddique

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